Trad Gang
Main Boards => Hunting Knives and Crafters => Topic started by: Roughcountry on October 15, 2010, 11:01:00 AM
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I thought I'd start a thread showing the little things leather workers do to dress up work and make it stand the test of time.
These will be just small tips that I'll post a little at a time, not a build along.
I made a couple new edgers the other day,and thought that would be a good place to start.
I see a lot of sheaths that are very well built, fit well but just lack that finished look.
Edgeing and burnishing that edge adds that little finished look that shows and also makes it more comfortable to carry.
These edgers are made from scrap O1 and 1095 left over from folders. The handles are also just scrap. They perform as good or better than the old vintage leather tools that out perform what is offered today in craft stores.
I won't spend a bunch of time on building details as most of the blade smiths here are way ahead of me in that department.
I'll start with the bissnet type edger first as it's done and I made is specialy for sheaths.
Here's the start showing a couple vintage edgers that I like and copyed ( just different sized)
(http://img.photobucket.com/albums/v347/roughcountry/edger001.jpg)
This edger is O1 and is dressed from the bottom side. Heat tread is left at Quench hardness and not drawn.
(http://img.photobucket.com/albums/v347/roughcountry/edger003.jpg)
I don't put a handle on until it is dressed and cuts like I want it to. This type works on a push or pull that I find real handy on small curves.
The leather under the picture has been edged and burnished useing this edger and a burish cloth.
The finished tool
(http://img.photobucket.com/albums/v347/roughcountry/edger002.jpg)
I'll show the other type when I get the handle done.
Fire away with any questions and I'll try to answer as I go.
After edging I'll go to stitching. Be back tonight, maybe with a couple more pics. RS
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How about showing how you use them in a few shots and the effects in process. Just a pic or two would be great. I am trying to improve my leather skills. My sheaths just don't match up to my knives.
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I'm watching like a HAWK...
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I want a better picture of the background!
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I want a better picture of the background!
Ya me too. What size are those tires?.. :confused: ....... :biglaugh:
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I've never even seen tools like that for leather working, so I'm all.. eyes.
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I'll try to figure out how to take a picture that helps show how to use a edger. If you look close at the peice of leather you can see a string of leather on the left side top, thats the edge it cuts off the leather.
I mis-spelled burnish cloth. It's a wax saturated peice of canvas cloth (10 oz. works good for sheaths) about 6 inch square would work well. Wet the edge with a sponge and rub like heck with the canvas until you see a slick brown like in the photo.
Ron, it's a 15" worn out horse trailer tire. Yep, the horse trailer is worn out. Still working for getting the pony to the woods though.
The horn pile is in front of my shop, home to all the weather'd horns that I find. The good ones are in the shed.
I'll be back when I get a pic on photo bucket.
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Just got this picture loaded. This is how to dress the bottom of the edger. I used the corner of a bench grinder to start with on both. The 1095 you can pretty much shape with a round file before heat treating. The O1 air hardens when you shape it,if you don't have a oven (I don't)use a dremel stone bit or the like.
After heat treat I used a slip stone to form and sharpen the edgers so the cut the way I like. Test often on scrap leather until it cuts the size you want.
The open end edger is a push only and I dressed it to cut a special application. It still edges regular leather real well. More pics of it later.
(http://img.photobucket.com/albums/v347/roughcountry/001.jpg)
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burnish cloth eh? I've been wondering how people get such nice, smooth, shiny edges. I hate to ask this after seeing that you make such nice tools... but I've been in the habit of using an old belt sander for radiusing my edges. Do you see a place for that? I suppose good sharp tools probably leave a much finer finish....
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Scott
Lots of folks use the sander for edging leather. Nothing wrong with it but consider these points. It's faster to use the edger
(about 3 seconds for one side) way more even and will polish smoother with the burnish cloth. Also no danger of burning the edge of the leather.
One thing I'll mention now is the kind of leather to use. Alwas use veg. tanned leather. Chrome tanned leather will rust your blades.
I use saddle skirting because I have it on hand, it's veg. tanned and I can wet form it. It also takes a stamp really well. I also like the way it ages when conditioned right and it will outlast most blades that get any kind of regular use.
I've got a couple more pictures I'll try to get on tonight. Later, RS
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Really good information! I would also like to see some instruction on how to apply the rawhide braiding.
Thanks for the pictures.
OkKeith
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Good thread! Thanks for taking the time! Sounds like we will get alot of good info from a saddle maker! Thanks
The rawhide on the tool, is that a Turks head braiding?
Steve
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Potomac Forge
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Here's a picture showing the way you'd use the edger in the push mode. My left hand would be on the leather to steady it instead of on the camera. In the pull mode the handle would be higher to bring the tip to bear on the leather.
(http://img.photobucket.com/albums/v347/roughcountry/003.jpg)
Keith, not sure I can show how to tie those knots using the computer. The other edger is ready to have the knots tied on it, I'll get a picture of the before & after.
Steve, the little knot is a spanish ring knot and the one covering the end is a heel knot with the ground work increased once. Both knots originated with sailors like the turks head but have been adapted to rawhide and building horse gear.
My other pics are to dark, I'll retake them in better light tomorrow. RS
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Robin,
I bet I can find them in one of my knot books or all else fails, Google.
Sure appreciate the effort. Looking forward to more pictures.
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There's a great little book that graphically shows step by step the braiding of Turk's Heads, and others, available from Tandy (probably any book seller, really). It's title is simply; Leather Braiding
by Bruce Grant.
Tom I.
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Bruce Grant has three books out. The one with the most info and knots is the one with encyclopedia in the name. I'll have to look in the shop, I have all three.
My uncle trade knots back & forth with Mr Grant right after WW2, he finally stumped him with a knot he called the Gaddo knot after the sailor who showed it to him. It's one I don't know, but my brother does so I still have a litle time to learn it.
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(http://img.photobucket.com/albums/v347/roughcountry/001-1.jpg)
I'll try to put this all together now.
At the top there's a peice of wax sitting on a burnish cloth. Then a stitching awl, two edgers, a stitching awl with a shorter haft (handle)
Then a overstitch wheel, and a scratch compass.
Also The peice of leather to the left shows the groove a scratch compass puts in.
Last is a couple peices of leather glued together in the shape of a sheath. The groove has been put in on the stitching line and I've run the overstitch wheel down the strait side showing me where to peirce with the sewing awl.
The stright side I'll hand stitch, the other I'll machine stitch with a big hook & awl machine
Both at 5 stitches per inch.
I'll do two of these fake sheaths, edge and burnish only one. The hand stiching will be on the straight edge of the edged and burished one.
Both will have one coat of neatsfoot oil but no other finish.
Hopefully you can see the difference just these two steps will do for your sheath.
(http://img.photobucket.com/albums/v347/roughcountry/001-2.jpg)
(http://img.photobucket.com/albums/v347/roughcountry/002-1.jpg)
I left the bottom leather on the fake sheathes bigger for a reason. It lets me clamp that part in a stitching horse to hold it while useing the awls and sewing. It also helps steady it in the sewing machine. I trimmed it off flush with a round knife before edgeing them. ( I'll post a couple pics of a round knife later.
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A couple things I forgot to explain.
The groove you lay the stitches in help protect it from wear and make it look neater. Also you go back over the hand stitching with the overstitch wheel to set them down in the groove and round them for a more even stitch. Hard to tell the difference between the machine and hand if I do it right.
The machine has nylon thread and I hand stitch with waxed linin thread.
Hope this is all making sense. RS
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Things are looking great so far. I had never heard of going back over the threads with the wheel to set them in. Does that end up with the thread being a bit loose? How tight do you have to pull the thread when you stitch?
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If you look at the overstitch wheel it has a rounded look to it. It's made specificly to go back over the stitches. It can still be used for spacing, but the wheel made for that task is called a prick wheel. Most just use the overstitch wheel and save the cost of another tool. The number stamped on the wheel is how many stitches per inch.
It won't loosen the thread, the wax helps with this. You pull the linen pretty tight and the wax helps hold it untill you get to the next stitch. The diamond shaped blade of your stitching awl also helps with this. It opens up the leather for the thread, then close's afterwards to grip it. It's better for the leather than drilling and removing leather and is way faster when you learn how to use a polished sharp awl. I use that little chunk of wax and wax my awl when pushing thru real thick skirting leather. Wax it and your good for about five holes before the glue makes it drag a bit.
Expermint on scrap leather for how tight to set your thread, go to the breaking point and then back off slightly.
I'll get to stitching horse's later.
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(http://img.photobucket.com/albums/v347/roughcountry/005.jpg)
Heres a Round knife and a Head knife.
The round knife was made for me by a millwright Jack Lemberger. It'd been a real good one, The only thing I'g change is that the handle up front need to bevel down to nothing so you can lay it over on your rock to bevel leather.
The head knife was made by Doug Campbell and I really treasure it. I've never spotted another damascus leather tool. The head knife is used for lighter work demanding more blade control.
Both handles are Mountain Mohogany and it's a pretty heavy dense wood. It darkens over time from the oil on your hands. It makes good rub sticks also, more on that when we try wet forming.
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awesome stuff. so what all do you do with your round and head knives? Skiving and beveling? What do you use to cut out your patterns?
going back over the stitches with the 'overstitch' is new to me too. And the name basically says what its for!
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Scott
I use the round and head knife daily in the shop. The round knife is possibly the most used tool on my bench. All leather is cut out with it, I'll try to stay specific the sheaths.
The peices of leather on both pages were cut using the round knife. The bottom peice on the fake sheath was trimed to the exact size of the top peice with one cut up one side then down the other on a cutting board. If you look at the pic of the unedged sheath you can see it's very flush with the top peice.
If I wanted the edge of the leather to be thinner and keep it full thickness in the center I'd do it with the round knife by laying it on my stamping rock flesh side up and skiving it to the thickness I wanted with the round knife.
Thats also the way I'd taper a welt to the exact taper of a blade. The edge of your round knife has to be super thin and razor sharp. The round knife is on my list of tools to build using knowledge gleaned from this site, and bladesmiths here and other sites. I've got some good round knives, just want to build one that hopefully matches the old ones.
I know a few tricks for working leather and sharing them is a attempt to give back to all you guys who have helped me.
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thanks again...
Time for me to make a round knife....